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Music
professor designs concert for middle-schoolers
By
Erika L. Mantz, Media Relations
Hundreds of middle school students will pack the Johnson Theatre
March 16 to celebrate Music in the Schools Month with a concert
designed just for them by music professor and pianist Christopher
Kies.
The entire Oyster River Middle School as well as students from the
Exeter Area Cooperative Middle School and Newmarket Middle/High
School will see a concert by the Granite State Symphony Orchestra
that includes a piece composed by Kies to the animal poetry of Ogden
Nash, a humorist and poet who was the first American chosen to grace
the 37-cent postage stamp in 2002, the centennial of his birth.
The concert is free for every student thanks to a $7,000 grant from
the office of the vice president for research and public service
at UNH.
“It’s wonderful when anybody in the community does anything
that brings an enriching experience to children in public schools,”
ORMS Principal Marcia Ross said of the concert. “Then, when
it’s something of this size and caliber, and by someone with
the excitement of Chris Kies, it’s a wonderful opportunity
for all children. I only wish that every school could have something
like this to look forward to for Music in the Schools month.”
The production has a real grassroots feel to it. Kies’ interest
in composing for young people grew out of his relationship with
his three daughters. Several graduates of the UNH music department
are teaching in the schools invited to the concert. Oyster River
Middle School chorus teacher and UNH graduate Beth Struthers will
sing several songs during the concert in preparation for Kies’
orchestral piece. It “borrows” tunes, meaning listeners
will hear strains of everything from Ode to Joy and Rock a Bye Baby
to The Girl from Ipanema and Tea-for-Two.
“Modern and classical music can be esoteric, not user friendly,”
Kies says when asked why he composes for children. “When I
was in college writing pieces, the arbitrary nature of it bothered
me. I like to have a reason for doing something, and what could
be better than introducing children to music and an orchestra? Borrowing
other composers’ melodies allows people to recognize something
in what they are hearing, and it’s a way of preserving the
culture.”
Kies composed this piece after an earlier one frustrated him. The
Amazing Bone, based on one of Kies’ and his daughters favorite
books by William Steig and written for the trombone (think of the
voice of the teacher in Charlie Brown) and piano, debuted in 2001.
“It was a successful piece and the kids loved it, but the
publisher requires payment of $100 every time it is performed,”
he said. “That might not sound like a lot, but it is when
you have no funding.”
That’s when he decided to do something with narration and
music that was in the public domain, or controlled by a more relaxed
publisher. Long an admirer of Carnival of the Animals, which features
Ogden Nash’s poetry alongside the music of Camille Saint-Saens,
Kies decided to choose 12 other poems about animals by Nash and
add music to them. Most importantly, Nash’s publisher said
that if Kies didn’t charge admission to the performance, there
would be no fee attached.
The concert is not open to the public so as many students as possible
can participate.
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