Paul Landacre, American (1893-1963)

 

Paul Landacre is best known for a very individual and refined style of wood engraving, where delicate white lines and sensitive cross hatching and flecking contrast dramatically with large dark areas of ink. A dedicated naturalist, Landacre created sensual interpretations of plant and animal life that became increasingly abstract designs. His work is considered by many to be the standard that other wood engravings are judged by, all the more remarkable as Landacre taught himself the technique that became his exclusive form of expression. He maintained careful control of his work, pulling almost all of his own prints, selecting the ink and paper, and fine tuning every aspect of the printing process.

 

Landacre began his professional career as a commercial artist, but in 1926 dedicated himself entirely to wood engraving and quickly found recognition. He illustrated several award-winning books of poems and his first solo book, California Hills and Other Wood Engraving, won a Fifty Books of the Year award from the American Institute of Graphic Arts in 1931. His wood engravings were featured in the 1939 New York World’s Fair and he was elected to the National Academy of Design in 1946.  His work can be found at numerous museums and libraries including the Boston Museum of Fine Arts, Library of Congress, Museum of Modern Art in New York, New York Public Library, Philadelphia Museum, and the Achenbach Foundation for the Graphic Arts in San Francisco.