Dean Swift: The Politics of Satire
A Symposium on Jonathan Swift and
the Politics in his Age
Conducted at The Deanery of St.
Patrick's, Upper Kevin Street, Dublin
8, on 18 October 2003,
with Dr Robert Mahony in the Chair
The 'radical' Swift: The
fullback's dilemma
Christopher J Fauske (Salem
State College, Massachusetts)
[Christopher Fauske is Assistant Dean of Arts and Sciences
at Salem State College, Massachusetts. Author of Jonathan Swift and the
Church of Ireland, 1710-1724 (Irish Academic Press, 2002) he has also
edited Archbishop William King and the Anglican Irish Context 1688- 1729
(Four Courts Press, 2003).]
Ladies
and gentlemen, Dean McCarthy, Bob:
I
want to thank you for this opportunity to return to the deanery and say
something about Swift, after last year happily sitting near the back of the
audience reflecting on how little I knew. I hope this time I might have a few
ideas to add to the discussion, but I'm wary to suggest this might be so, for
as D.J. Enright says about Swift in his wonderful book, The Alluring Problem: An Essay on Irony, 'everything has been
said already'. Of course, he offers hope to those like me, and a reason to be
here today, when he points out that nonetheless 'we can scarcely not say something
' about Swift.
So
here goes…
Or,
rather, doesn't…
For
I don't particularly want to say something about Swift. I'd like, instead, to
say something about some of the people who have said something about Swift, not
so much as a way of understanding them but to reflect on the chimera-like
qualities of satire, which is a kind of glass wherein we observe every face
but our own. But you knew that, of course.
Or,
as the Dane put it, the ironist
Knows only that the present does not match the
idea. He is the one who must pass judgment…The ironist…has stepped out of
line with his age, has turned around and faced it.
—Not
Hamlet, but that other great contrarian Dane, Søren Kierkegaard. What was
offered as a definition of irony works just as well as a definition of
satire.
Swift
himself seems at times to conflate the two terms, as when in his verses on
his death he suggests that:
Arbuthnot is no more my friend,
Who dares to irony pretend;
Which I was born to introduce,
Refined it first, and showed its use.
But
either way, the interesting point, at least for me, and at least for the
purposes of this talk, is the idea that the ironist 'knows only that the
present does not match the idea. He is the one who must pass judgment.'
And
pass judgment Swift does. Again. And again. And again.
You
can't miss the judgment.
You
certainly can miss the proposed solution. It often is not there.
Sometimes,
as in An Argument Against Abolishing
Christianity, a solution is implied. More often not. Just judgment. Swift
perhaps knew that Dane, Hamlet,
well enough to avoid the self-paralyzing connecting of the recognition of a
time out of joint with the self-absorbed reflection 'O cursèd spite that ever
I was born to set it right'. But perhaps not.
It's
not entirely clear Swift ever intended to set anything right. For what use is
an ironist when the time matches the idea?
That
aside, I want to use Kierkegaard's definition of irony, which skill Swift
claimed for himself, not to ask, or answer, the question 'who was Swift,
''about whom everything has been said already'' '? but to look briefly
instead at something we once knew but have largely forgotten: Jonathan Swift,
Dean of St Patrick's, Dublin, might have claimed for himself the title
scourge of the oppressor, vindicator of
liberty—to make not too liberal a translation of his own epitaph—but
he was no radical, as that towering Whig of a later generation demonstrated
by 'a single fact…While [Swift's] friends were in power, we hear nothing of
the grievances of Ireland; and to the last we hear nothing of its radical
grievance, the oppression of its Catholic majority.' And he was right, was
Francis Jeffrey, writing in 1816.
So
why, irony of ironies, was Swift's reputation preserved for us for so long
not by those with whom he would have claimed kinship but by those he would
most have despised, the social, political, and cultural heirs of that fine
Ulsterman, John Toland?
The
answer lies in Kierkegaard's definition, in the fact that Swift wrote on the
cusp of mercantilism and before modern economic theory was a settled
discourse, and, of course, in Swift's power as a demagogue.
Mark
this, though, William Hazlitt, Percy Bysshe Shelley, Lord Byron and others
knew their Swift. Knew him and used him as surely as Jeffrey did in another
cause, Used Swift as they saw fit, and
did not let that bother them one bit. It was not a trait confined to a
particular period of the nineteenth century.
Listen
to these words:
He had a horror of state tyranny and …an uncanny
presentiment of totalitarianism and all the torture it would brand on body
and mind…He knew what crawling self-seekers politicians could be, but he knew
too that politics was concerned with the great question of the rich and the
poor.
Perhaps
it is that last qualifier which gives away that these are the words of a man
whose wit and learning—in both the classic and the modern sense—offer a stark
reminder of their absence among so many of his ilk, the former leader of the
British Labour Party, Michael Foot, always a champion of socialism and of
personal dignity, a shining rebuke to those who would conflate socialism with
tyranny. A man who offers the most resounding defence of Jonathan Swift I
have ever read.
Foot,
in this same essay, dismisses Jeffrey's attack on Swift as a 'brilliant
libel'. It is a charge which could be applied with as much justice against
those who praise Swift for his radicalism.
But
the passion of Foot's defense still leaves unanswered the great question: how
did the radicals see in Swift what they saw?
Well,
one answer, Foot suggests, is found in Sir Herbert Grierson's account of
Byron's publication of Don Juan,
for, as Byron had said in Canto III, 'words are things'. And, says Grierson
Milton and Swift are the only other Englishmen of
Letters whose writings have been not only literary works but deeds…Swift was
a pamphleteer, but his pamphlets ended a European war and shook the
government of Ireland, and it was not the satire alone which did so but the
personality, the fearless pride and strength of the man who launched them.
I'm
not sure Swift's pamphlets did achieve any such political results, but, as
Grierson says, they accomplished something far more important than that; they
suggested words and actions are potentially commensurate.
It
was this which inspired Byron, Hazlitt, and, later, of course, George Orwell,
to claim Swift for their camp: these writers who were, or dreamed of being,
men of action.
But
while the motive for the radicals'
adoption of Swift as a mascot might be clear, the means was
surprisingly uncomplicated for a man who had a coherent center, one that was
conservative not reactionary, principled but occasional. Hardly a centre of
gravity conducive to radical sympathies, except that Swift was most certainly
opposed to what today we call the establishment, at least the establishment
post-1714, opposed to what William Cobbett called 'the Thing'.
The
'Thing' was the political idea of the time in which he lived, manifested in
economic and political restructuring that Swift was unwilling to condone and
unable to collaborate with. The present did not match the idea. Which is
exactly the claim that Byron, Hazlitt, and their ilk wished also to make.
Here
is Byron on the death of Castlereagh:
Of the manner of his death little need be said,
except that if a poor radical…had cut his throat, he would have been buried
in a cross-road…In his death [Castlereagh] was necessarily one of two things
by the law—a felon or a madman…
and in either case no great subject for panegyric…It may at least serve as
some consolation to the Nations, that their Oppressors are not happy, and in
some instances judge so justly of their own actions as to anticipate the
sentence of mankind.
Hardly
more temperate than Swift on Chief Justice Whitshed who had 'libertas & natale Solum [liberty
and my native country] written as a Motto on his Coach, as it stood at the
Door of the Court, while he was perjuring himself to betray both.'
Swift
had a point of view and he expressed it, even when decorum might have
suggested he should do otherwise. It is hard for the dedicated oppositionist
not to admire that trait in another.
But
the sympathy of the radicals for Swift was not simply about my enemy's enemy
being my friend. There is another matter: language changes, ideas change. And
in those changes lies the opportunity for misreading, whether intentional or
not.
On
25 August 1816, that most appropriately
named journal, The Examiner, published
a letter from William Hazlitt on the subject, supposedly, of Edmund Burke and
the ignorance of the world: 'One reason we do not grow wiser,' Hazlitt
cautioned, 'is that we forget what we have learned.' Burke might well have read Gulliver's Travels, Hazlitt conceded,
but when he pointed out that ' "if the poor were to cut the throats of
the rich, they would not get a meal more for it" he seems not to have
recollected what that very popular Author says on the subject.' Which author was Swift, whose sixth chapter
of the Voyage to the Houyhnhnms, Hazlitt writes, 'may show that Swift's
Toryism did not, like Mr Burke's Anti-Jacobinism, deprive him of common
sense.'
Hazlitt
knew his man. Knew at least his politics, was 'even prepared to forgive him
for being a Tory,' says Foot. But I don't think Hazlitt spotted a greater
paradigm shift than the possibility that a Tory might retain his common
sense.
The
passage Hazlitt has in mind is that wherein 'my master was yet wholly at a
loss to understand what motives could incite this race of lawyers to perplex,
disquiet, and weary themselves by engaging in a confederacy of injustice'.
Gulliver
goes on to observe that:
England (the dear place of my
nativity) was computed to produce three times the quantity of food more than
its inhabitants are able to consume…and the same proportion in every other
convenience of life. But in order to feed the luxury and intemperance of the
males, and the vanity of the females, we sent away the greatest part of our
necessary things to other countries, from whence in return we brought the
materials of disease, folly, and vice…Hence it follows of necessity, that
vast numbers of our people are compelled to…beg, rob, steal, cheat, pimp,
forswear, flatter, suborn, forge, game, lie, fawn, hector, vote, scribble,
star-gaze, poison, whore, cant, libel…and the like.
Which
may well sound like the sort of argument heard outside the halls of wherever
the WTO last met, a damning counter-argument to the rational economics of the
Chicago School. But it is not.
This
is not the argument Swift was making.
And
radicals of almost every generation since Swift, from William Godwin to
Michael Foot, have taken advantage of the language and have ignored the
intent, whether deliberately or not.
If
he had a point of view when it came to finance and markets, Swift was a
full-fledged mercantilist. Land and people were wealth, money a measure of
them only, if it were to have any real value. In modern economic parlance,
Swift would have thought M0 mattered, might have considered M1
significant, but certainly would have held M2, and M3
to be chimeras of fabulists. But that's an anachronistic argument.
He
did believe this: people were an asset. Labour was wealth producing and so
for him had value. Full-employment was not just a worthy goal. It was a moral
fundamental.
Swift's
castigated the English administration because of the effect of those policies
on the Irish economy not by pity on behalf of those who deserved better. He
was outraged not so much by the consequences of the policies as by the fact
that the policies were so flagrantly out of synch with the ideas he thought
should form the basis of sound government. The suffering he saw around him
proved only that the present was out of synch. The anger of A Modest Proposal is so startlingly
vituperative precisely because it lashes out at a polity so insane as to make
the rearing and eating of babies appear logical. It wasn't the hunger that
moved Swift half as much as it was the cause of the hunger. That the ideas he
defended by implication had run their course and the beast slouching toward Babylon to be born would become
modern economic policy was of no import to him. He knew 'only that the
present did not match the idea'.
Here
is not the place to consider just what exactly changed in 1688, D.W. Jones
does that quite handily in his short essay 'Sequel to revolution: the
economics of England's emergence as a great power'. Suffice it to say, as
Jonathan Israel demonstrates exhaustively and lucidly, the Dutch Republic,
whether by design or by necessity, reconceptualised the ideas of wealth,
society, and property, and in 1688 England and, soon thereafter, Scotland
seized hold of the experience of the new economics, if not yet fully aware of
the consequences of such a wholesale rethinking of social structures.
[If
any of Swift's contemporary polemicists saw it coming, by the way, it wasn't
so much Bernard Mandeville, whose Fable
of the Bees is as much a moral allegory as it is an economic argument,
but Daniel Defoe, whose writings on political economy are badly in need of a
decent modern airing.]
Swift
did not understand, and did not wish to understand, the whys of the destitution and, to his mind, financial failures of
his time. He simply intended to use those failures to his own ends. He knew
the problem, even if he did not understand the cause of that problem.
And
for the radicals of later eras this interest of Swift's in the value of
labour was vital. But to understand how separate was the contemporary
understanding of people such as Swift from later thinkers, it is instructive
to look at what Swift's peers were saying.
Here
is David Bindon arguing in 1738 that
It is certain, that the power and Riches of a
Nation depend not upon its having Mines of Gold and Silver, but
upon its having a numerous and industrious People.
Bindon
is quite clear about the ill consequences of
a supply of the former and a dearth of the latter:
Spain and Portugal are rich in Mines…but
thin of inhabitants; and the few they have are idle or luxurious: Therefore
neither of them has any great Power, and the Riches their Slaves dig from the
Bowels of the Earth, are yearly sent out for supporting the Idleness and
luxury of their people. On the contrary, Britain and France have no Mines of Gold ands Silver; but they have Multitudes of People usefully employed, and consequently are rich and powerful.
It
does not matter here whether Bindon is right about wealth or power, still
less whether his analysis of causes
of wealth, poverty, power are correct. What matters is the clarity with which
he makes his case, and the fact that this opinion was the dominant trope of
the period and so the one least in need of analysis and elaboration.
Here
is archbishop King in a 1721 letter to archbishop Wake in Canterbury:
Yr South Sea [Bubble]…has surely made us
miserable to the highest degree, if starving be a misery…I was of the opinion
before that one Third of this City needed Charity; but [I find] that at least
one Half are in this lamentable state…& the cry of the whole People is
loud for Bread.
Notice
how King connects speculative, stock-market capitalism with destitution.
[I
should pause here for one moment, if I might, to observe how frequent is the
phrase the 'whole people' in accounts of this time in the papers of King,
Synge, Stearne, Brodrick, and others. Swift's use of the phrase in the fourth
Drapier's letter was not some radical innovation. Nor, even, was his
appending 'of Ireland' to the first two words.]
Anyway.
The
political and economic ramifications of the South Sea Bubble to Irish polity
were not the same as in England and Scotland, and this can perhaps be seen
most clearly in the debate over the
Bank of Ireland, which debate also helps demonstrate the crucial significance
to modern understanding of Patrick Hyde Kelly's point that
The unquestioning assumption of earlier scholars
that sixteenth-, seventeenth-, and early eighteenth-century writers were
simply grasping with greater or lesser success after the categories which
came to dominate [modern economic theories]…has given way to a realisation
that there is a radical discontinuity between the two forms of discourse.
This
'radical discontinuity' was not apparent to those who later claimed Swift for
their own radical agendas. It is too often overlooked today.
Two
1723 tracts from Ireland make clear the nature of
that disconnect. Their titles make their premises clear, but to today's
reader their arguments are shockingly at odds with their presumed tone. Molesworth's
title says it all: Some Considerations
for Promoting the Agriculture of Ireland and Employing the Poor. Francis
Hutchinson wrote A Letter to a Member
of Parliament Concerning the Imploying and Providing for the Poor.
Molesworth's solution, anticipating by some considerable period Gresham's Law (if labour and
wealth are co-terminous in a mercantilist analysis), was to deport any
indigent labourers. Hutchinson thought this view
extreme, preferring instead (vide
Swift) to badge beggars, employ them upon public works, and confine them to
their home parishes unless they had gainful employment elsewhere (when,
presumably, they would cease to be beggars).
Swift's
third Drapier's letter would be addressed to Molesworth and, in Some Arguments Against Enlarging the Power
of Bishops…, Swift would describe Molesworth's Considerations as an 'excellent discourse'.
The
Londonderry MP Hercules Rowley took full advantage of the popular conception
of economic reality in his Answer to a
Book Entitled 'Reasons Offered for Erecting a Bank in Ireland':
Whenever the importation of consumable commodities
destroyed at home exceeds the exportation of the manufactured or
unmanufactured products of any country, then it must be daily impoverished.
Lessening our Importation and encouraging our manufactures would feed the
hungry, clothe the naked and relieve the oppressed.
Or,
as Swift put it in A Short View of the
State of Ireland:
The first cause of a Kingdom's thriving is the Fruitfulness
of the Soil, to produce the Necessaries and Conveniencies of Life; not only
sufficient for the Inhabitants, but for Exportation into other Countries.
In
modern parlance, this is the argument of the autarkist, and Nicolai
Ceauçescu's Romania and modern North Korea demonstrate the
deficiencies of autarky in a contemporary setting, but precisely because the
discourse of Swift's time was mercantilist not capitalist these failings were
not only inconceivable but theoretically impossible. Then, as now, the
failure of an economy was proof only that the idea had been inadequately
applied to the problem. Hence, David Bindon again:
Both [wholesale and retail drapers ] are a Sort of
Middle-Buyer, or what Mr Locke
calls Brokers between the manufacturer and Consumer, it is, according to that
great Man's Opinion, inconsistent with the public Good, to encourage their
Trade, or increase their Numbers.
Bindon
talked of economies dependent upon slavery—corrupt, indolent, impoverished
and, more importantly, injurious to their own people. Molesworth, Hutchinson,
Rowley, and Swift of the need for work, of the value of labour, not simply
for its own sake but for the public good.
Recall
Jeffrey's damning dismissal of Swift: 'to the last we hear nothing of [Ireland's] radical grievance, the
oppression of its Catholic majority'. True, as I said, but also fundamentally
wrong.
As
King wrote to Wake, as Swift would famously say in the fourth Drapier's
letter, the 'whole people of Ireland' were an integral part of
any financial analysis of Ireland. Catholic, Anglican or
Dissenter, a man's production added value to society.
As
the industrial revolution dawned, as cities grew, land was enclosed, and the
rights of the old yeoman class as imagined by William Cobbett during his Rural Rides vanished, it was no wonder
that the radicals found something to admire in Swift. [Though here I should
point out that Cobbett himself derided Swift as 'an eccentric sort of
misanthrope…and a disappointed politician of great ambition'. Which, actually,
might not be too ill-considered a description of that Tory turned radical,
William Cobbett himself.]
Swift
shared with the likes of Hazlitt, Byron, and Shelley, a remarkable ability to
claim to speak on behalf of individuals in a society gone mad, while at the
same time demonstrating some quite unappealing cant on the matter of
particular individuals. More to the point, however, later radical writers
recognised a fellow stylist and polemicist of great accomplishment when they
saw one, and—here's the rub—gleefully recognised that although his sentiments
and motives might have been unbecoming, the argument still sounded, even
resounded, for was it not Swift who had pointed out that the 'question is
whether People ought to be Slaves or no'? That he asked this question in
defence of the right of the Church of Ireland Convocation to meet, presumably to
seek to undo social and political changes he saw as inimicable to preserving
the power of the church, did not matter.
This
sentiment could be co-opted, even if the cause had changed. But, then again,
Hazlitt who was no friend of the established church was also not shy about
reflecting of catholicism that 'nothing is to be said against [it] but that
it is contrary to reason and common sense'.
—You
are wondering, perhaps, about the title of this talk or, at least, about the
sub-title, 'the fullback's dilemma'. The explanation for that lies in these
concluding thoughts: I was asked last year by the fullback of the university
rugby team I coached, a propos of
what, I don't know, 'was Swift a radical?'
This is not an easy question to answer at the best of times, and most
definitely not when you have wandered over from the pack to consult with your
fullback about the possibility of catching the occasional high ball. But I
could not quite put the question aside, perhaps not only because of its
unlikely provenance.
A
few days later, I mentioned to a friend and colleague, who had been a prop,
that I had been taken aback by the question and its circumstances. His response,
quite wisely, was that that's the problem with fullbacks, they have way too
much time to think about things. Which is probably true of all of us here
today.
Was
Swift a radical?
It
might well be too complex a question for all but the fullbacks of life. And
fullbacks, of course, should not be encouraged.
Quite
what some of the radicals saw in him, that we might be able to answer, even
the props of the world, who, like the radicals girding themselves for another
fierce encounter, can't help but think that the 'present does not match the
idea'.
Thank
you.
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