|
Volume 4 |
|||||||||||
|
click on each image to view a larger version for close study |
|||||||||||
 Page 29 |
designed and engraved by
Hubert François Gravelot. |
||||||||||
 Page 108 |
designed and engraved by Hubert François Gravelot. |
||||||||||
 Page 145 |
designed and engraved by
Hubert François Gravelot.
|
||||||||||
 Page 178 |
designed and engraved by Hubert François Gravelot.
|
||||||||||
 Page 210 |
designed and engraved by Hubert François Gravelot.
|
||||||||||
 Page 277 |
designed and engraved by Hubert François Gravelot.
|
||||||||||
 Page 372 |
designed and engraved by Hubert François Gravelot.
|
||||||||||
 Pages 416-417 |
The last illustration in volume 4 is unique. It was designed and engraved by Hubert François Gravelot. It was designed by Hubert François Gravelot to correspond to two pages (474-475) of Richardson’s text, and in a footnote Richardson refers the reader to a third, page 417 in the same volume, reproduced here. | ||||||||||
|
|
As explained above, the last illustration in volume 4 is unique. It was designed and engraved by Hubert François Gravelot, and it corresponds to two pages of Richardson’s verbal text. The presence of this illustration also makes volume 4 unique as the only volume to contain eight rather than seven illustrations. That fact suggests that it can be read as a summarizing image for all four volumes of Pamela. | ||||||||||
|
|
In some copies of the text, the final illustration in volume 4 was bound facing page 474, but in others it was bound facing page 475, the printed text of which appears here. Hubert François Gravelot clearly designed it, however, to correspond to both pages, as indicated by the notation at the top of the image. | ||||||||||
|
|||||||||||
