Dissertation

Although the major work on the dissertation is concentrated in the last year or year and a half of the program, a good dissertation develops and gets refined over a longer period of time. The candidate should have a subject in mind as he or she selects fields for the Qualifying Examination. Then the fields can be chosen appropriately and the subject can grow as the student prepares for that exam.

Dimond LibraryOnce the student has passed the Qualifying Examination, a doctoral committee is appointed by the Dean of the Graduate School after nomination by the Department. This committee is normally composed of three professors from the English Department and two more from related departments. The student then prepares a written proposal outlining the dissertation topic, a minimum of ten pages long, the materials to be used, and pertinent scholarship related to the topic. The student has six months from the date of passing the Qualifying Examination to present this proposal.

After submitting copies of this proposal to the doctoral committee, the student meets with its members to defend the proposal and to demonstrate his or her preparation to work on the project. The meeting should last one and one-half hours. The committee may opt to 1) approve the proposal, 2) require that the proposal be revised, 3) require that the student undertake further preparation before proceeding (the conditions are set by the committee and monitored by its chair). If the proposal needs to be re-presented, the student may take no more than an additional six months to do so.

Doctoral candidates registering for English 999 are normally expected to attend a noncredit ungraded dissertation workshop directed by a member of the English Department's graduate faculty. This workshop will meet approximately once a month. (If travel presents a hardship, this requirement may be waived through a petition to the Graduate Director.)

In preparing the dissertation, the candidate should refer to the Graduate Catalogue for technical requirements. For dissertation format, the student must consult the graduate school pamphlet, Manual for the Preparation of Theses. After the dissertation is completed, the candidate will defend it orally at a formal examination with the doctoral committee.

Recent Dissertations

Michael Michaud. IT Managers, Construction Marketers, and Emergency Medicatl Technicians: Professional Adult Students in Higher Education.

Christina Ortmeier-Hooper. Beyond “ELL”: Second Language Writers, Academic Literacy, and Issues of Identity in the U.S. High School.

Katherine E. Tirabassi. Revisiting the “Current-Traditional Era”: Innovations in Writing Instruction at the University of New Hampshire, 1940-1949.

Michelle Cox. When the Workplace is on Campus: Learning to Write for a University Speech Language Clinic, 2006.

Joyce Rain Anderson. Indians and Immigrants: Survivance Stories of Literacies, 2005.

Amy Zenger. Composition and the "Rhetoric of Whiteness" at Harvard, 1869-1900, 2004.

Megan Fulweiler. A Pedagogy of the Personal: A Theory and Practice of Self Narrative, 2003.

Gregory Bowe, Taking a Pedagogical Turn: What Happens When the Student/Teacher Conference Moves to the Center of the Basic Writing Course

Timothy Thomas Dansdill. The Composition of Anonymity: Toward a Theory, History, and Pedagogy, 2001.

Christopher Dean, Layering Literacies: Computers and Peer Response in the Twenty-first Century, 2001.

Mary E. Hallet. Grief (W)rites: Composing Loss in the Composition Classroom, 2001.

Stephanie Paterson. Embodied Narratives: Ways of Reading Student Literary Histories, 2001.

Bronwyn T. Williams. Tuned In: Television and the Teaching of Writing, 2000.

Deborah L. Hodgkins. Constructive Texts: Theory, Practice and the "Self" in Composition, 1998.

Dorothy Kasik, Issues of Engendered Entitlement: Who Owns the Classroom? Who Owns Knowledge? 1998.

Carol Kountz. The Role of Shame in Writing: How Lived Experience Affects the Writing Process, 1998.

Stephen Barrett (Composition), This Gonna Hurt Like Hell: A Pentecostal Student Enters the Academy, 1997.

Anne Righton Malone. Unruly Acts: An Inquiry into the Art of Letter Writing, 1997.

Michelle Marie Payne. Bodily Discourses: When Students Write about Sexual Abuse, Physical Abuse, and Eating Disorders in the Composition Classroom, 1997

Lance Michael Svehla. Composition as a Mode of Being: Politics, Ethics, and History in the Writing Classrooms of Postmodernity, 1997.

Donald C. Jones. Beyond the Postmodern Impasse of Contemporary Composition: The Non-Foundational Alternative of Deweyan Pragmatism, 1996.

Lisa M. Stepanski, “There is No School Like the Family School:” Literacy, Motherteaching, and the Alcott Family, 1996.

Bruce Ballenger. Beyond Note Cards: Rethinking the Freshman Research Paper, 1995.

Xiaoming Li. A Celebration of Tradition or of Self?: An Ethnographic Study of Teachers' Comments on Student Writing in America and in China, 1992.

Lad Tobin. Writing Relationships: Reading Students, Reading Ourselves, 1991.

Amber Dahlin Ahlstrom. Reflects Actions: Theory and Practice in Teaching Writing, 1991.

Sherrie L. Gradin. British Romanticism and Composition Theory: The Traditions and Value of Romantic Rhetoric, 1990.

Donnalee Rubin. Gender Influences: Reading Student Texts, 1989.

 

 

Ph.D. in Composition Studies at the University of New Hampshire

 

http://www.unh.edu/composition/